2024 Paris Olympic Opening Ceremony Criticized Over Blasphemy

The 2024 Paris Olympics opening ceremony was filled with memorable moments, from the lighting of the cauldron to Céline Dion taking the stage.

However, one performance has prompted mixed reactions and ignited controversy. Critics have accused the ceremony of blasphemy, leading to protests and apologies.

The Controversial Performance at the 2024 Paris Olympic Opening Ceremony

The four-hour ceremony kicked off the Summer Games on July 26, featuring athletes gliding down the River Seine and performers reenacting internationally historic moments. However, a particular tableau during the ceremony caused a stir.

Drag queens and dancers lined a long table in an image that some thought resembled Leonardo da Vinci’s “The Last Supper” portrait of Jesus Christ and his 12 apostles.

This scene led to widespread outrage, with some calling the imagery a “mockery” and “insulting to Christian people.” On the other hand, others viewed it as a celebration of the LGBTQ+ community and inclusivity.

Official Apology

On July 28, Paris 2024 spokesperson Anne Descamps apologized for any offense caused. “Clearly there was never an intention to show disrespect to any religious group.

On the contrary, I think that [artistic director] Thomas Jolly really tried to celebrate community tolerance,” Descamps said at a press conference.

“We believe that this ambition was achieved. If people have taken any offense, we are really sorry.”

Connections to ‘The Last Supper’

The scene in question featured a dinner platter lifted to reveal a naked person painted blue and singing in French. In the background, dancers and drag queens struck poses along a long table.

The camera panned through the tableau, showing a person crowned with an aureole in front of DJ turntables before revealing the rest of the table lined with performers holding their poses.

The table then transformed into a catwalk, with drag queens and models taking the stage in homage to Paris’ fashion scene.

The official X account for the Olympic Games shared photos of the moment, referencing the Greek god Dionysus.

“The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings,” read a tweet captioning the photos. However, some viewers connected the tableau to the biblical scene da Vinci portrayed in “The Last Supper,” where Jesus Christ and his apostles shared a final meal before the crucifixion.

Artistic Intentions

When asked about the backlash on July 27, the ceremony’s artistic director, Thomas Jolly, stated that he did not intend “to be subversive,” “mock,” or “shock.”

“We wanted to include everyone, as simple as that,” he said. “In France, we have freedom of creation, artistic freedom. We are lucky in France to live in a free country. I didn’t have any specific messages that I wanted to deliver. In France, we are a republic, we have the right to love whom we want, we have the right not to be worshippers, we have a lot of rights in France, and this is what I wanted to convey.”

Appearing on French news channel BFM-TV, Jolly confirmed “The Last Supper” was “not my inspiration.”

“There is Dionysus who arrives on this table. He is there because he is the God of celebration in Greek mythology,” Jolly said. “The idea was to have a pagan celebration connected to the gods of Olympus. You will never find in me a desire to mock and denigrate anyone.”

Reactions

The performance received mixed reactions. Some supported the artistic vision, arguing that the tableau was a statement on inclusivity.

“We know in the LGBTQ community in France we are far from what the ceremony showed. There’s much progress to do in society regarding transgender people.

It’s terrible that to legally change their identity they are forced to be on trial,” said France’s Inter-LGBT President James Leperlier.

Le Filip, who won the third season of “Drag Race France” this year, was amazed. “I thought it would be a five-minute drag event with queer representation. I was amazed.

It started with Lady Gaga, then we had drag queens, a huge rave, and a fire in the sky. It felt like a crowning all over again. I am proud to see my friends and queer people on the world stage,” Le Filip said.

Outrage and Protests

However, U.S. political figures and Catholic church leaders expressed outrage. House Speaker Mike Johnson called the tableau “shocking” and “insulting.”

“Last night’s mockery of the Last Supper was shocking and insulting to Christian people around the world who watched the opening ceremony of the Olympic Games,” he said in a tweet.

Catholic leaders in France also condemned the scene. “This ceremony has unfortunately included scenes of derision and mockery of Christianity, which we very deeply deplore,” the Conference of French bishops said in a statement.

Harrison Butker, the Kansas City Chiefs kicker, quoted the Bible on X after the ceremony. “‘Be not deceived, God is not mocked.

For what things a man shall sow, those also shall he reap. For he that soweth in his flesh, of the flesh also shall reap corruption.

But he that soweth in the spirit, of the spirit shall reap life everlasting,’” he wrote, citing Galatians 6:7-8.

Andrew and Tristan Tate’s Protest over 2024 Paris Olympic Opening Ceremony

Adding to the controversy, Andrew and Tristan Tate staged a protest outside the French embassy in Romania.

They accused the ceremony of including Satanic elements and mocking Christianity. Their protest further amplified the global discussion around the opening ceremony.

Conclusion

The 2024 Paris Olympic opening ceremony has sparked a significant debate. While some celebrate the inclusivity and artistic freedom showcased, others feel deeply offended by the perceived mockery of Christian symbols.

The organizers have apologized, but the controversy continues to highlight the delicate balance between artistic expression and respect for religious sentiments.