Former UDA Secretary General Cleophas Malala has opened nationwide auditions for his controversial play “Echoes of War,” inviting Kenyans from all walks of life to participate in the production that was previously at the center of a political storm.
The playwright announced a two-week audition period running from April 22 to May 5, shifting the production from its original cast of Butere Girls students to professional adult actors following criticism from political leaders over its themes.
“If you are an actor, love the stage, and have the confidence to own a role, this is your moment,” Malala stated in his official announcement, signaling a new direction for the politically charged production.
The audition process reflects the digital age, with prospective actors required to review the script posted on Malala’s TikTok page, select a character they feel suited for, and record a 30-second video demonstrating their interpretation of the role.
Participants must then share their audition videos on Instagram and TikTok while tagging Malala, who will later announce a shortlist of candidates invited for in-person auditions.
The play, set in the fictional Royal Velvet Emirates, tells the story of Mustafa, a young tech innovator whose forward-thinking ideals clash with the traditional, authoritarian leadership of the Sultan.
Their confrontation creates a dramatic power struggle between generational viewpoints, with the fate of their society hanging in the balance.
This storyline, widely interpreted as an allegory for the recent tensions between Kenya’s Gen Z protesters and the political establishment, initially led to the play being banned from school competitions due to its perceived political sensitivity.
The announcement has already generated significant interest, with Kiambu County Senator Karungo wa Thion’go publicly expressing his desire to participate, writing on social media: “I think I should audition for a role in this play – to awaken my high school talent! Sijui ni audition kama Sultan?”
Malala’s decision to move forward with the production using professional actors rather than students appears to be both a response to the controversy and an attempt to elevate the play to a larger public platform.
The playwright has emphasized that the production will now be showcased at public events featuring top talent selected from across the country.
Theater critics note that the open casting call may serve dual purposes – generating renewed public interest in the production while potentially softening its political edge through diverse casting that could expand interpretations beyond the immediate political context that sparked the initial controversy.
“Echoes of War” continues to highlight the ongoing tension between traditional governance and youth-led innovation in Kenya, a theme that remains particularly relevant in the aftermath of recent nationwide protests and the growing political consciousness among Kenya’s younger generations.
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